The work is part of the Vol. series of sound sculptures and installations, initiated in 2014.
It is a system that analyzes the volumetric correlation between sound and architecture by reproducing the resonance frequencies of the room in which it is exhibited.
The dodecahedron loudspeaker plays the resonance frequencies obtained by layering recordings of the room’s ambient silence, while each microphone has been modified to reproduce these frequencies as signal responses to white, pink, and brown noise.